The Irons: Hybrids. Madefire. Process.

The Irons: Hybrids portal chase sequence. This will be our French Connection moment. Leto chases a perp (Multon) through the planet sized city using portals to jump to other areas and time-zones. Writer and co-creator Haden Blackman and I envisioned a multi-zone chase highlighting the texture and richness of  The Irons world.

Creating one new world environment is hard enough but we really wanted to push for a variety of different areas: some more frightening and unusual than the main Blade Runner influenced world shown here. The chase allowed us so many possibilities and the Grand Central Station opener will be the money shot!

Crank zoom panels. We cut from the larger panel to these inserts and zoom to close-ups of Leto and Multon (shown in red) Should help to convey the frenetic pace of the chase? Possibility of a faux-handheld camera shake effect with the Madefire tool to add that personal 'in scene' experience.

So many possibilities are available creatively with the added sound and motion options. It really is an exciting and new approach to story-telling.

The inks shown are pencils only. Still to apply an ink draft and colour by Yel Zamor.

The Irons: Hybrids. Cover process.

Layout sketches. This first stage is the most important part of the process. All the ideas are put down quickly and instinctively and a composition is decided upon. Three versions generally provide choice for the client/editor to work with and Liam Sharp decided that having Leto front and centre worked best. We then moved on with background characters designs.

A more finished sketch this time to capture the vibe of the environment. Some more playful ideas were added in the background but they felt out of synch with the overall tone intended for the cover.

Another pass refines the background character details.

Leto and two or three additional principal characters are next. Layout sketches are always done in biro. Trying to keep an energy and spontaneity in the figures by keeping the size to A4.

Pencils. Still working in ink with a brushpen at A4 for keeping the proportions and composition right. An alien krishna and Bono help fill the background. A lot of extra details are added to the figures and background at this stage and to be honest it serves well enough.

Colour work follows by Yel Zamor. These characters are for the background only and Yel cleverly coloured them with minimum shading to allow them to remain in the background and not pop or distract from foreground characters. Since they will also be reduced in size, any over-rendered textures would be lost anyways.

An alternate version below where I played with colour coded regionalised lighting on the background crowds. The seperate layers in the Madefire tools enhance the effect by providing a parallax effect.

Madefire. Hybrids: The Irons by Haden Blackman.

Madefire released their app yesterday and I am delighted to be a part of the project. Dave Gibbons, Bill Seinkiewicz, Dougie Braithwaite, Liam Sharp, Robbie Morrison, Mike Carey and many more creators are involved and I am proud to be working with Haden Blackman (Batwoman) on our collaboration, Hybrids: The Irons. Here is a teaser of what to expect with our new world environment.

The Irons teaser formatted as a page. Viewing experience will be 1.85 landscape panels with 3:4 IMAX inspired fullscreen. The Madefire tools allow for parallax views (up to seven layers for city vistas) and pans/zooms/depth of field effects. The technical approach to starting a page is very different too. It's a new language of story-telling.

Colour as always by the talented Yel Zamor.

Trip-Tick.

A few years ago my friend and colleague, Liam Sharp was putting together a new anthology called Event Horizon and asked me to contribute. There were three pages in all (including another single image and a character sheet) My favourite piece is included here.

I was only able to supply the lineart for the release and Liam was kind enough to colour the image for me. The original colours were more influenced by Moebius (with yellows and greens) and had a very alien feel to the scene. Recently I decided coloured it myself and chose a more different palette. A simple enough composition.

You can see more of Liam Sharp's work at his Mamtor Publishing site and there shold still be copies of Event Horizon available. A terrific compilation, this Eagle nominated edition showcases the talents of long time established pros, such as Ash Wood, Steve Niles, Chris Weston and Brian Holguin - and also new talent, like Emma Simcock-Tooth, Kev Crossley, Dave Kendall and Lee Carter. It was a treat to be included in this book.